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| Item Number | Artist | Description (organized by century and then alphabetical by artist) | Price | Century | Media |
|---|---|---|---|---|---|
| Durer-1 | Albrecht Dürer (1471 - 1528) | THE MARTYRDOM OF ST. CATHERINE OF ALEXANDRIA. 1496/97. Meder 236c (of g). Woodcut on laid paper with a watermark similar to Meder wz. 58 (Wäppchen mit Reichsapfel), used from 1565 to 1572, and Meder wz. 151, which is cited for this edition, 1560 - 1580. A very good impression, but showing some wear to the block. Very good condition. | $9,000. | 15 | Woodcut |
| Aldegrever-1 | Heinrich Aldegrever (1502 - 1555/61) | CHARITY. 1522. Hollstein 118, only state. Engraving from a set of Seven Virtues. | $1,200. | 16 | Engraving |
| Aldegrever-2 | Heinrich Aldegrever (1502 - 1555/61) | TWO TORCH-BEARERS. 1538. H. 161. Engraving. Plate 2 from The Large Wedding Dancers. | $2,500. | 16 | Engraving |
| Aldegrever-3 | Heinrich Aldegrever (1502 - 1555/61) | AMNON AND JONADAB. 1540. Hollstein 22ii. Engraving. Plate 1 from The Story of Amnon and Tamar. |
$2,000. | 16 | Engraving |
| Beham H-1 | Hans Sebald Beham (1500 - 1550) | TRAJAN'S JUSTICE. 1537. H. 86 ii(of iii). Engraving. Provenance: Ducs d'Arenberg (Lugt 567). | $2000. | 16 | Engraving |
| Beham H-2 | Hans Sebald Beham (1500 - 1550) | STANDARD-BEARER AND DRUMMER. 1544. H. 202ii. Engraving. | $2,500. | 16 | Engraving |
| Beham H-3 | Hans Sebald Beham (1500 - 1550) | ASTROLOGIA. 1519. H. 127. Engraving. A very good, but very slightly worn impression printed with inky plate edges. From a set of The Seven Liberal Arts. Rare. | $800. | 16 | Engraving |
| van der Borcht-1 | Peter van der Borcht IV (1545 - 1572) | THE STORY OF ELIJAH AND ELISHA. Wurzbach 3, LeBlanc 1, Hollstein 195 - 198, only states. Engravings. Complete set of four ornament prints with the story printed from a separate oval plate in the center. | $2,400. the set | 16 | Engravings |
| de Bruyn-1 | Abraham de Bruyn (1540 - 1587) | PORTRAIT OF PRINCE WILLIAM OF ORANGE ON HORSEBACK. With ornamental border printed from a separate plate. Unrecorded (?). Engraving. | $1,200. | 16 | Engraving |
| Dietterlin the Elder-1 | Wendel Dietterlin the Elder (1550 - 1599) | ARCHITECTURAL ORNAMENT WITH ANIMALS AND THE FIGURE OF DIANA. 1593. Hollstein 17, first edition. Engraving. Plate 74 from the series Architectural and Ornamental Designs. An early impression, with polishing scratches still visible on the plate. | $750. | 16 | Engraving |
| Durer-2 | Albrecht Dürer | THE BIRTH OF THE VIRGIN. 1511. Meder 192. Woodcut from the Life of the Virgin. Watermark: Coat of arms (Meder wz. 246, ca. 1600). | $12,000. | 16 | Woodcut |
| Durer-3 | Albrecht Dürer | CHRIST BEFORE PILATE. Meder 7 b (of d). From the Engraved Passion. |
$8,000. | 16 | Engraving |
| Durer-5 | Albrecht Dürer (1471 - 1528) | THE DEATH OF THE VIRGIN. 1510. Meder 205b (of g), after the 1511 Latin edition. Woodcut from the Life of the Virgin. Watermark: Hand with flower (Meder wz. 16). | $10,000. | 16 | Woodcut |
| Durer-6 | Albrecht Dürer (1471 - 1528) | MADONNA ON THE CRESCENT. 1510. Meder 188, from the 1511 edition, with Latin text on verso. Title page to the series. With the text above and below the image trimmed off. | $3,000. | 16 | Woodcut |
| Durer-7 | Albrecht Dürer (1471 - 1528) | REJECTION OF JOACHIM'S OFFERING. ca. 1504. M. 189g. Watermark: Coat of Arms (Meder wz. 246, ca. 1600). Printer's creases. | $5,000. | 16 | Woodcut |
| Durer-8 | Albrecht Dürer (1471 - 1528) | ADORATION OF THE SHEPHERDS. 1503. M. 197, from the 1511 edition, with Latin text on verso. | $10,000. | 16 | Woodcut |
| Durer-9 | Albrecht Dürer (1471 - 1528) | THE CIRCUMCISION OF CHRIST. 1505. M. 198, from the 1511 edition, with Latin text on verso. | $10,000. | 16 | Woodcut |
| Durer-10 | Albrecht Dürer (1471 - 1528) | THE ADORATION OF THE MAGI. 1503. M. 199f. | $4,500. | 16 | Woodcut |
| Durer-11 | Albrecht Dürer (1471 - 1528) | THE PRESENTATION OF CHRIST. ca. 1505. M. 200 ii (of iii), from the 1511 edition, with Latin text on verso. Provenance: J. Manheimer (Lugt 1840). | $8,500. | 16 | Woodcut |
| Durer-13 | Albrecht Dürer (1471 - 1528) | CHRIST DISPUTING WITH THE DOCTORS. ca. 1503. M. 203d (of g). Watermark: Fish bladder (M. wz. 309, ca. 1580). |
$5,000. | 16 | Woodcut |
| Durer-14 | Albrecht Dürer (1471 - 1528) | CHRIST TAKING LEAVE OF HIS MOTHER. 1503-04. M. 204e (of h). A fine impression in very good condition. Watermark: Fish bladder (M. wz. 309, ca 1580). |
$7,500. | 16 | Woodcut |
| Durer-15 | Albrecht Dürer (1471 - 1528) | ASSUMPTION AND CORONATION OF THE VIRGIN. 1510. M. 206b (of e), after the Latin text edition of 1511. A very good impression. Watermark: Fish bladder (M. 309, ca. 1580). |
$6,500. | 16 | Woodcut |
| Durer-16 | Albrecht Dürer (1471 - 1528) | GLORIFICATION OF THE VIRGIN. 1504. M.207ii (of iii f), from the 1511 edition, without text on verso, which in the case of this print, is usual. Watermark: Arrow with flower ( M. wz. 127). |
$8,500. | 16 | Woodcut |
| Durer-18 | Albrecht Dürer (1471 - 1528) | COAT OF ARMS OF THE SCHEURL AND TUCHER FAMILIES. ca. 1512. Meder 291c (of e). Woodcut, 302 x 208 mm, trimmed outside borderline. Very good impression, a horizontal printer s crease, tiny tear at upper left corner. Provenance; H. Marx (Lugt 2816a) and an unidentified collector's mark. |
$1,500. | 16 | Woodcut |
| Durer-19 | Albrecht Dürer (1471 - 1528) | SOJOURN OF THE HOLY FAMILY IN EGYPT. ca. 1501 - 02, after the Latin text edition of 1511. Woodcut from The Life of the Virgin. Small stain in outer margin, otherwise good condition. | $8,000. | 16 | Woodcut |
| Durer-20 | Albrecht Dürer (1471 - 1528) | THE HOLY FAMILY WITH ST. JOHN, THE MAGDALEN AND NICODEMUS. 1512. Drypoint on copper. The last state of this exceedingly rare drypoint. A fine impression with atmospheric wiping. | $18,000. | 16 | Drypoint on copper |
| Galle-1 | Cornelis Galle (1576 - 1650) | HYEMS (WINTER), after Jacopo Bassano (1510 - 1592). Unrecorded (?) Engraving, from a set of the Four Seasons. | $1,800. | 16 | Engraving |
| Ghisi-1 | Giorgio Ghisi (1520 - 1582) | THE CALUMNY OF APELLES, after Luca Penni. 1560. Boorsch, Lewis & Lewis 27iv (of vi). Engraving. Second published state with the name of Honervogt. | $3,000. | 16 | Engraving |
| Goltzius-2 | Hendrik Goltzius (1558 - 1617) | PORTRAIT OF JAN VAN SUREN, PRINTER AND PUBLISHER, AND BURGOMASTER OF HAARLEM, after M. van Heemskerck. 1590. Hollstein 220ii (of iii). Engraving. Provenance: Baron Henri de Triqueti (Lugt 1304); Baron D. Vivant-Denon (L. 779); André-Jean Hachette (L.132), and Collection Henri Beraldi (L. 330). | $3,800. | 16 | Engraving |
| Grien-1 | Hans Baldung Grien (1484 - 1545) | ST. CATHERINE. ca. 1505-07. Marrow 7, Shestack 5. Woodcut. Watermark: Circle with cross on three mounds. Lacking 1 mm in height and 3 mm in width, and with a small repair at left edge. | $1,800. | 16 | Woodcut |
| Raimondi-1 | Marcantonio Raimondi (1475 - 1534) | APOLLO, after Raphael. Bartsch 334, only state. Engraving. Flaws. | $1,400. | 16 | Engraving. |
| Raimondi-2 | Marcantonio Raimondi (1475 - 1534) | LA FORCE (FORTITUDE), after Raphael. Bartsch 389. Engraving from a set of the Seven Virtues. Laid down, flaws. Provenance: F. Gawet, 1806 (Lugt 1069), and an unidentified inscription, verso. | $900. | 16 | Engraving. |
| Raimondi-3 | Marcantonio Raimondi (1480 - 1527) | THE PIETÀ WITH THE BARE ARM. Shoemaker 37, figure 30. Engraving. A slightly later impression of this famous image. Flaws and repairs. Watermark: Hand. | $1,500. | 16 | Engraving |
| Raimondi-4 | Marcantonio Raimondi (ca. 1480 - before 1534) | PALLAS (ATHENA), after Giulio Romano. Bartsch 337, only state. Engraving. Rare. | $4,800. | 16 | Engraving |
| Sadeler-1 | Johannes Sadeler I (1550 - 1600) | after Martin de Vos (1532 - 1603): CRAPULA ET LASCIVIA (DRUNKENNESS AND WANTONNESS). Hollstein 558, only state. Engraving. Plate 1 from a series of six prints, the others by Wierix (Alvin 1249 - 1254). |
$2,800. | 16 | Engraving |
| Schauflein-1 | Hans Schäufelein (1480 - 1540) | ENTRY INTO JERUSALEM. ca. 1505. Bartsch 34, 1; Hollstein 710. From The Passion of Christ, a series of thirty-four woodcuts, with Latin text on verso. A very good impression. Repaired tear. | $1,400. | 16 | Woodcut |
| Suavius-1 | Lambert Suavius (Zutman) (1510 - 1575) | Twelve plates from the set of fourteen: CHRIST, THE TWELVE APOSTLES AND ST. PAUL. 1545 - 48. Hollstein 9 - 22. Engravings. Lacking plates 13 & 14. Provenance: Plates 4, 6, 8, & 10: Thomas Graf (Lugt 1092b, and (all plates) Leo Steinberg. | $6,000. | 16 | Engravings |
| della Bella-1 | Stefano della Bella | BUST OF A SATYR. DeVesme 354i. Etching. |
$300. | 17 | Etching |
| della Bella-2 | Stefano della Bella | LANDSCAPE WITH A RUINED TOWER. DeVesme 774ii. Etching. | $400. | 17 | Etching |
| della Bella-3 | Stefano della Bella (1610 - 1664) | THE FLIGHT INTO EGYPT. 1641. DeVesme/Massar 12iii (of iv). Etching on paper with a Coat of Arms watermark that dates to 1640 - 60. Provenance: Christian G. Crusius (Lugt 548). | $1,800. | 17 | Etching |
| della Bella-4 | Stefano della Bella (1610 - 1664) | REST ON THE FLIGHT INTO EGYPT. 1641. DeVesme/Massar 17ii (of iii). Etching on paper with a Coat of arms watermark that dates to 1640 - 60. Provenance: Christian G. Crusius (Lugt 548). |
$2,000. | 17 | Etching |
| della Bella-5 | Stefano della Bella (1610 - 1664) | TERRA (EARTH). 1647 or earlier. DeVesme/Massar 753i (of iii). Etching from a set of The Four Elements. | $900. | 17 | Etching |
| della Bella-6 | Stefano della Bella (1610 - 1664) after A. Parigi | PRIMA SCENA RAPRESENTANTE FIORENZA. 1637. DeVesme/Massar 919. Etching from a series of stage designs for the play Le Nozzi degli Dei, on paper with a watermark of a sun. A fine impression in good condition. |
$2,200. | 17 | Etching |
| della Bella-7 | Stefano della Bella (1610 - 1664) after A. Parigi | TERZA SCENA GIARDINO DI VENERE. 1637. DeVesme/Massar 921. Etching. A fine, rich impression. Repaired tear into right edge, folds visible only on verso. Etching from a series of stage designs for the play Le Nozzi degli Dei. |
$2,400. | 17 | Etching |
| della Bella-8 | Stefano della Bella (1610 - 1664) after A. Parigi | SCENA QUINTA D'INFERNO. 1637. DeVesme/Massar 923. A very good impression in good condition. Etching from a series of stage designs for the play Le Nozzi degli Dei. |
$2,000. | 17 | Etching |
| della Bella-9 | Stefano della Bella (1610 - 1664) | DOUBLE FRIEZE WITH CONFRONTING ANIMALS. DeVesme 992v (of vi). Etching. Plate 6 from Ornamenti de Fregi et Fogliani. | $250. | 17 | Etching |
| Bosse-1 | Abraham Bosse (1602 - 1676) | L'HIVER (WINTER). ca. 1635. Blum 1036i (of ii). Engraving from a set of The Four Seasons. A fine early impression, but lacking the decorative border. Provenance: Craddock & Barnard. | $2,800. | 17 | Etchings with engraving |
| Bosse-2 | Abraham Bosse (1602 - 1676) | DEPARTURE OF THE PRODIGAL SON. Blum 1184, only state. Engraving and etching. A fine impression. From a series of six, L'Enfant prodigue. Provenance: Demany (Lugt 780a). | $3,000. | 17 | Engraving and etching |
| Bosse-3 | Abraham Bosse (1602 - 1676) | THE FOOLISH VIRGINS FALLING ASLEEP, ca. 1635. Blum 1018, only state. Engraving. From the series Les Vierges sages et les Vierges folles (The Wise and Foolish Virgins). A fine impression, but with a vertical centerfold. | $2,200. | 17 | Engraving |
| Both-1 | Jan Both(1610 - 1652) | LANDSCAPE WITH RUINS AND TWO COWS AT THE WATERSIDE. Hollstein 8, ii or iii (of vi). From the series of six: Landscapes of the Environs of Rome. Provenance: Leo Steinberg. | $1,800. | 17 | Etching with drypoint |
| Breenburg-1 | Bartholomeus Breenberg (1599 - 1657): | THE TOWER OF LEONI, NEAR FRASCATI. Bartsch 9. Etching. |
$1,800. | 17 | Etching |
| Callot-1 | Jacques Callot (1592 - 1635) | SOLIMAN, ACT 3. L. 366, only state. Etching and engraving. From the series of five plates plus frontispiece, Il Solimano, a tragedy in five acts. | $900. | 17 | Etchings |
| Callot-2 | Jacques Callot (1592 - 1635) | PARTERRE DU PALAIS DE NANCY (THE PALACE GARDENS AT NANCY). 1625. Lieure 566i (of ii). Etching with engraving. | $8,500. | 17 | Etching with engraving |
| Callot-3 | Jacques Callot (1592 - 1635) | L'HOPITAL (The Hospital). 1633. Lieure 1353ii (of iii). Plate 15 from the set of eighteen: Les Grandes Misères de la guerre (the large set of The Miseries of War). Etching from the first edition, published by Israel Henriet. | $800. | 17 | Etching |
| Castiglione-1 | G. B. Castiglione (1609 - 1665) | THE SUPPOSED FINDING OF THE REMAINS OF ST. PETER AND ST. PAUL. 1647-51. Bartsch 14, only state. Etching. Trimmed to the image, lacking the 5 mm blank border below with the printed signature. | $3,000. | 17 | Etching |
Castiglione-2 |
G. B. Castiglione (1609 - 1665) | MAN WITH A LONG BEARD, WEARING A HEADDRESS AND FUR CAP, FACING RIGHT. ca. 1640. Bartsch 48ii. Etching on thin laid paper. From the set of five plates, Large Studies of Heads in Oriental Headdress. | $2,800. | 17 | Etching |
| Castiglione-4 | G. B. Castiglione (1609 - 1665) | THE RESURRECTION OF LAZARUS. late 1640s - early 1650s. Bartsch 6, Lewis 61ii. Etching. A fine impression, tiny corner and edge repairs. | $5,000. | 17 | Etching |
| Castiglione-5 | Giovanni Benedetto Castiglione (1609 - 1664) | HEAD OF A MAN WITH MUSTACHE IN A FUR HAT, FACING LEFT. Late 1640s - early 1650s. Bartsch 49, Lewis 27i (of ii). Etching. Small flaws. From the series of Large Studies of Heads in Oriental Headdress. Provenance: Knegtel Collection, The Netherlands. |
$2,400. | 17 | Etching |
| Castiglione-6 | Giovanni Benedetto Castiglione (1609 - 1664) | YOUNG MAN WITH PEAKED HAT FACING RIGHT. ca. 1645 - 1650. Bartsch 47i (of ii). Etching, 110 x 81 mm (4 5/16 x 3 3/16"), trimmed along the platemark. Plate 12 from the series Small Studies of Heads in Oriental Headdress. Bartsch is of the opinion that this portrait is of a woman. Provenance: Knegtel Collection, The Netherlands. |
$1,200. | 17 | Etching |
| Castiglione-7 | Giovanni Benedetto Castiglione (1609 - 1664) | YOUNG MAN IN A FEATHERED BERET (a self-portrait?). Bartsch 53, Percy E19ii, Lewis & Massar 25iii (of iii). Etching. Provenance: Knegtel Collection, The Netherlands. |
$1,800. | 17 | Etching |
| Castiglione-7.1 | Giovanni Benedetto Castiglione (1609 - 1664) | YOUNG MAN IN A FEATHERED BERET (a self-portrait?). Bartsch 53, Percy E19ii, Lewis & Massar 25iii (of iii). Etching, trimmed inside the (blank area inside the) plate mark and window mounted. Short tear at upper left corner, otherwise very good condition. | $1,400. | 17 | Etching |
| Castiglione-8 | Giovanni Benedetto Castiglione (1609 - 1664) | THE BODIES OF ST. PETER AND ST. PAUL HIDDEN IN THE CATACOMBS. 1640s -- early 1650s. Percy E21, Lewis & Massar 59, only state. Etching, 300/302 x 216/218 mm, trimmed along the plate mark. A fine early impression, showing many fine vertical polishing scratches in the plate. In very good condition except for a small pale discoloration at left. | $4,500. | 17 | Etching |
| Castiglione-9 | Giovanni Benedetto Castiglione (1609 - 1664) | BEARDED MAN WITH HIS HEAD LEANING FORWARD, WEARING A SKULLCAP. ca. 1640. Bartsch 50 ii. Etching, trimmed along the plate mark. From the series of Large Heads in Oriental Headdresses. A fine impression, in excellent condition, printed on thin laid paper. | $2,800. | 17 | Etching |
| Castiglione-10 | Giovanni Benedetto Castiglione (1609 - 1664) | PORTRAIT OF A MAN WITH BEARD WEARING A TURBAN, FACING RIGHT. ca. 1640. Etching, trimmed along the plate mark. From the series of Large Heads in Oriental Headdresses. A fine impression, in excellent condition, printed on thin laid paper. | $2,800. | 17 | Etching |
| Dusart-1 | Cornelis Dusart (1660 - 1704) | THE VIOLIN PLAYER SEATED IN THE INN. 1685. Hollstein 15iii. Etching with roulette work. A very fine impression in good condition except for old hinges on verso and a spot of glue, showing very slightly in the lower left corner below the image. | $3,000. | 17 | Etching |
| Galestruzzi-1 | Giovanni Battista Galestruzzi (1618 - 1677) | SILENUS RIDING A DONKEY, SURROUNDED BY FAUNS AND SATYRS. Bartsch 14i (of ii). Etching. | $800. | 17 | Etching |
| Goudt-1 | Hendrik Goudt (1580/85 - 1648) | THE MOCKING OF CERES (or CERES SEEKING HER DAUGHTER), after a painting by Adam Elsheimer. 1610. Dutuit 6, Hollstein 5, only state. Engraving. Very good impression, with some short repaired tears, slightly toned. | $5,000. | 17 | Engraving |
| Grimaldi-1 | Giovanni Franceso Grimaldi (1606 - 1680) | LANDSCAPE WITH TWO MEN ON A HILLOCK. Bellini 12i (of ii). Etching, Very beautiful impression of the first state of two, before the inscription An. Carac. at lower right. |
$1,200. | 17 | Etching |
| Hollar-1 | Wenzel Hollar (1607 - 1677) | NAVES BELLICAE HOLLANDICAE. 1647. Parthey 1268. Etching from a set of eleven Dutch ships plus title, P. 1261 - 72. Foolscap watermark. Provenance: Stephan Delhaes (Lugt 761) and Szépmüvészeti Museum, Budapest (L. 2328) | $1,800. | 17 | Etching |
| Lorrain-2 | Claude Lorrain (1600 - 1682) | LE NAUFRAGE (THE SHIPWRECK). ca. 1638 - 41. M. 35iv (of v). Etching. | $1,800. | 17 | Etching |
| Lorrain-3 | Claude Lorrain (1600 - 1682) | L'APPARITION (THE VISION). ca. 1630. Rare first state. Etching. | $15,000. | 17 | Etching |
| Matham-1 | Jacob Matham (1571 - 1631) | MERIDIES (MIDDAY, OR NOON), after Karel van Mander. Hollstein 309, only state. Engraving. From The Times of the Day, a series of four plates. A fine impression. Slight soiling and rubbing around two lines of verse, below. | $1,800. | 17 | Engraving |
| Monnoyer-2 | Jean-Baptiste Monnoyer (1635 - 1699) | ANEMONES, TUBEROSES AND OTHER FLOWERS AND FOLIAGE IN A VASE. From Arrangements in Glass Vases. Etching in the style of engraving. | $2,400. | 17 | Etching |
| Passe de Oude-2 | Crispijn de Passe de Oude (ca. 1565 - 1637) | EARTH (ORPHEUS PLAYING FOR THE ANIMALS). 1602. Hollstein 532, only state. Engraving from a set of The Elements, representing at the same time the princes of music . | $1,800. | 17 | Engraving |
| Passe de Oude-3 | Crispijn de Passe de Oude (ca. 1565 - 1637) | EUTERPE PLAYING THE FLUTE. ca. 1600. Hollstein 408, only state. From a set of The Muses, a series of nine engravings. | $1,800. | 17 | Engraving |
| Pencz-1 | Georg Pencz (ca. 1500 - ca. 1550) | TOBIOLUS AND THE ARCHANGEL RAPHAEL. Hollstein 29i (of iii). Engraving. From The Story of Tobias, H. 26 -32. | $2,000. | 17 | Engraving |
Perelle G-1 |
Gabriel Perelle (1604 - 1677) and/or Adam Perelle (1638 - 1695) | TRAVELLERS ALONG A RIVER WITH DISTANT VILLA. ca. 1650. Etching. From a series of landscapes with travellers, published by le Blond. | $450. | 17 | Etching |
| Perelle G-2 | Gabriel Perelle (1604 - 1677) and/or Adam Perelle (1638 - 1695) | LA PORTE DE LA CONFERENCE, PARIS. Etching and engraving. From a series of Views of Paris. | $450. | 17 | Etching and engraving |
| Perelle G-3 | Gabriel Perelle (1604 - 1677) and/or Adam Perelle (1638 - 1695) | LE CHASTEAU DE PETIT-BOURG APPARTENANT A MONSEIG.R LE DUC D'ANTIN. Etching. Proof with the letters handwritten in ink. | $500. | 17 | Etching |
| Perelle G-4 | Gabriel Perelle (1604 - 1677) and/or Adam Perelle (1638 - 1695) | PERSPECTIVE DE LA VILLE DE PARIS VEUE DU PONT ROUGE. Etching and engraving. From a series of Views of Paris. | $450. | 17 | Etching and engraving |
| Rembrandt-1 | Rembrandt van Rijn (1606 - 1669) | CHRIST AND THE WOMAN OF SAMARIA. 1658. Hollstein 70iii. Etching. A very good impression of the last state. Provenance: R. Dietze (Lugt 2197) | $20,000. | 17 | Etching |
| Rembrandt-2 | Rembrandt van Rijn (1606 - 1669) | DESCENT FROM THE CROSS BY TORCHLIGHT. 1654. Bartsch/Hollstein 83, only state. Etching and drypoint. A fine, richly inked impression with touches of burr on the man supporting Christ, on the man holding the cloth, on Christ's beard, and on the cross. Small flaws. Provenance: Sophie Rosenwald Adler (Lessing Rosenwald's aunt). |
$75,000. | 17 | Engraving |
| Rembrandt-4 | Rembrandt van Rijn (1606 - 1669) | LA PETITE TOMBE (CHRIST PREACHING). ca. 1652 (?) H. 67i (of iii). Etching, drypoint and burin. A fine, velvety black sleeve impression on paper with a foolscap watermark. Very good condition. Provenance: A. Artaria (Lugt 33), and Sophie Rosenwald Adler (not in Lugt). | P.O.R. | 17 | Etching |
| Rembrandt-5 | Rembrandt van Rijn (1606 - 1669) | FOURTH ORIENTAL HEAD (BUST OF A YOUNG MAN IN A VELVET BERET). ca. 1635. White & Boon 289ii (of iii); Nowell-Usticke 289i (of iii) - R+, A scarce and desirable portrait . Etching. A fine, rich impression of this extremely rare portrait, in excellent condition. Provenance: Ambroise Firmin Didot (Lugt 119), Louis Galichon (L. 1060), Charles Delanglade (L. 660), Hermann Weber (L. 1383) and Jules Gerbeau (L. 1165). |
$38,000. | 17 | Etching |
| Rembrandt-6 | Rembrandt van Rijn (1606 - 1669) | ST. JEROME IN A DARK CHAMBER. 1642. Bartsch/Hollstein 105ii. Etching on paper with a watermark of letters (see Ash & Fletcher 38E, ca. 1656). Provenance: Colnaghi's. |
$18,000. | 17 | Etching |
| Rembrandt-7 | Rembrandt van Rijn (1606 - 1669) | STUDENT AT A TABLE BY CANDLELIGHT. 1642. Bartsch/Hollstein 148, only state. Nowell-Usticke 148i (of iii) – “R - A very uncommon print, usually much worn. Plate not in existence.” Provenance: R. G. Michel, Paris. |
$28,000. | 17 | Etching |
| Rembrandt-8 | Rembrandt van Rijn (1606 - 1669) | PORTRAIT OF JAN UYTENBOGAERT, PREACHER OF THE REMONSTRANTS. 1635. Bartsch/Hollstein 279v (of vi). Etching and burin, an octagonal plate, trimmed just outside the platemark all around. A fine, rich impression in very good condition. |
$18,000. | 17 | Etching |
| Sadeler-1 | Aegidius Sadeler (c. 1570 - 1629) | A FOREST SCENE WITH A WOODEN BRIDGE ON THE RIGHT, after P. Stevens. Hollstein 253i (of iii), but before Petrus Stephani Inven. in the lower left margin. Engraving from a set of eight Bohemian Landscapes. Window mounted on an old album leaf. | $2,800. | 17 | Engraving |
| Sadeler-2 | Aegidius Sadeler (c. 1570 - 1629) | PORTRAIT OF THE EMPRESS FLAVIA DOMICILLA VESPASIANI UXOR. Hollstein 368ii (of iii). Engraving. Plate X from a set of title and twenty-four portraits of Roman Emperors and their Empresses. | $450. | 17 | Engraving |
| Schut-1 | Cornelis Schut (1597 - 1655) | VENUS AT VULCAN'S FORGE. Hollstein 121. Etching. | $3,000. | 17 | Etching |
Visscher-1 |
Cornelis Visscher (1628/29 - 1658) | PORTRAIT OF MAGDALENA MOONS. 1649. Hollstein 134i (of iii). Engraving. She was honored for her courage in the defense of Leyden in 1574. | $800. | 17 | Engraving |
Visscher-2 |
Cornelis Visscher (1628/9 - 1658) | PORTRAIT OF PETRUS SCRIVERIUS (Peter Schrijver (1576 - 1660), after a painting by Pieter Claesz Soutman. 1649. Hollstein 137iv. Engraving. Peter Schrijver was a Dutch writer and scholar on the history of Holland and Belgium. | $800. | 17 | Engraving |
| Waterloo-1 | Antonij Waterloo (1609/10-1690) | THE SMALL BRIDGE OVER A STREAM. M. 124ii (of iii). Etching. Second edition, on paper with foolscap watermark. | $1,200. | 17 | Etching |
| Waterloo-2 | Antonij Waterloo (1609/10-1690) | LANDSCAPE WITH MERCURY AND ARGUS. B. 127, M. 127ii. Etching. Third edition.Watermark Arms of Amsterdam. | $1,100. | 17 | Etching |
| Allen-1 | Anne Allen (active 1790s) | CHINESE ARABESQUE WITH A TIGHTROPE WALKER, after Jean-Baptiste Pillement, (1728 - 1808). ca. 1795. Color etching printed à la poupée in black, gray, blue, green, brown, pink and olive green., 195 x 139 mm plus margins. From Nouvelle Suite de cahiers arabesque chinois. |
$5,000. | 18 | Color etching |
| Allen-2 | Anne Allen (active 1790s) | CHINESE ARABESQUE WITH A BOAT, after Jean-Baptiste Pillement, (1728 - 1808). ca. 1795. Color etching printed à la poupée in black, gray, blue, green, brown, pink and olive green., 195 x 139 mm plus margins. From Nouvelle Suite de cahiers arabesque chinois. |
$4,800. | 18 | Color etching |
| de Boissieu-1 | Jean Jacques de Boissieu (1736 - 1810) | THE PASCAL LAMB. 1782. Etching and engraving on cream China paper mounted on white wove. | $950. | 18 | Etching and engraving |
| Canaletto-1 | Canaletto (Giovanni Antonio Canal) (1697 - 1768) | MESTRE. Bromberg 3iib. Etching from the series Vedute da Antonio Canal. | $4,500. | 18 | Etching |
| Canaletto-2 | Canaletto (Giovanni Antonio Canal) (1697 - 1768) | VILLAGE ON THE RIVER BRENTA (VIEW OF A TOWN ON A RIVERBANK). Etching. A fine impression in very good condition, except for a vertical centerfold, and slight discoloration and a little foxing in the margins. | $20,000. | 18 | Etching |
| Canaletto-3 | Canaletto (Giovanni Antonio Canal) (1697 - 1768) | LANDSCAPE WITH TOWER AND TWO RUINED PILLARS. Etching. A fine impression of this rare print, in good condition except for pale adhesive stains at upper edge. | $5,500. | 18 | Etching |
Chevillet-1 |
Juste Chevillet (1729 - 1790) | PORTRAIT OF JEAN-BAPTISTE-SIMEON CHARDIN, after Chardin. Portalis & Béraldi 9i (of ii), before letters. B. N. Inventaire 38i (of ii). Engraving. | $2,800. | 18 | Engraving. |
Chevillet-2 |
Juste Chevillet (1729 - 1790) | PORTRAIT OF MARGUERITE SIMEON POUGET (Chardin's niece), after Chardin. Engraving. A very good impression in good condition except for old hinges on verso. | $1,200. | 18 | Engraving. |
| Cochin the Elder-1 | Charles Nicolas Cochin the Elder (1688 - 1754) | LE JEU DE COLIN-MAILLARD (PLAYING BLIND MAN'S BLUFF), after the painting by Nicolas Lancret (1690 - 1743). 1739. LeBlanc 320 (listed under Cochin le fils). Etching and engraving. An extremely fine, early impression. | $3,800. | 18 | Etching and engraving |
| Finlayson-1 | John Finlayson (1730 - 1776) | PORTRAIT OF LADY CHARLES SPENCER, after Sir Joshua Reynolds. Mezzotint. Provenance: Museum der Bildenden Künst, Lepzig (Lugt 1669 & 1669f). | $1,600. | 18 | Mezzotint |
| Flipart-1 | J. J. Flipart (1719 - 1782) | CONCOURS POUR LE PRIX DE L'ETUDE DES TETES ET DE L'EXPRESSION (CONTEST FOR THE PRIZE IN THE STUDY OF HEADS AND EXPRESSIONS), after Charles-Nicolas Cochin the Younger (1715 - 1790). 1763. Bibliothèque Nationale Inventaire 126ii. Etching and engraving. | $2,500. | 18 | Etching and engraving |
| Gillray-2 | James Gillray (1757 - 1815) | A DECENT STORY. 1795. Etching with hand-coloring. A very good impression with fresh color, printed on soft wove paper. Margins slightly soiled and with waterstains. | $800. | 18 | Etching with hand-coloring |
| Goya-1 | Francisco Goya (1746 - 1828) | D. BALTASAR CARLOS PRINCE OF SPAIN, after Velázquez. 1778. Harris 9.III.1 (of 4). Etching and drypoint. A very good impression from the first published edition. Window mounted, some skinning on verso. | $4,500. | 18 | Etching and drypoint |
| Hogarth-1 | William Hogarth (1697 - 1764) | THE IDLE PRENTICE AT PLAY IN THE CHURCHYARD DURING DIVINE SERVICE. 1747. Paulson 170, only state. Engraving. Plate 3 from the series Industry and Idleness. |
$800. | 18 | Engraving |
| Hogarth-2 | William Hogarth (1697 - 1764) | THE IDLE PRENTICE BETRAYED BY HIS WHORE AND TAKEN IN A NIGHT CELLAR WITH HIS ACCOMPLICE. 1747. Paulson 176, only state. Engraving. Plate 9 from the series Industry and Idleness. |
$800. | 18 | Engraving |
Hogarth-3 |
William Hogarth (1697 - 1764) | GARRICK IN THE CHARACTER OF RICHARD III. June 20th, 1746. Paulson 165ii. Engraving. A fine impression in very good condition. | $2,000. | 18 | Engraving |
| Jackson-1 | John Baptist Jackson (1701 - 1780) | THE DESCENT FROM THE CROSS, after Rembrandt. 1738. Kainen 13, only state. Chiaroscuro woodcut from four blocks. |
$1,500. | 18 | Chiaroscuro woodcut |
| Moreau Le Jeune-1 | J. M. Moreau Le Jeune (After) | SECONDE SUITE D'ESTAMPES . . . 1776. Boucher 1372-1383, P. & B. I, p. 266, second states of three. Complete set of 12 prints, title page, and (added) the rare frontispiece portrait of Moreau by Augustin de St. Aubin after Cochin fils (Prouté 193.) Engravings with etching. Bound in red Morocco with gold tooling. | $1,500. | 18 | Engravings with etching |
| Mughal-1 | Mughal, Delhi, ca. 1750. | A NOBLE KNEELING AT THE FEET OF A LADY. Gouache on paper. The unknown artist is a master of the manipulation of color to provide an ancillary relevance to the emotional content of the figures. The scene takes place within a setting of minimalist colors, gray and white, providing a calm backdrop. |
$9,000. | 18 | Gouache |
| Piranesi-1 | Giovanni Battista Piranesi (1720 - 1778) | VEDUTE DELL' ESTERNO DELLA GRAN BASILICA DI S. PIETRO IN VATICANO (ST. PETER'S, FROM THE PIAZZA DELLA SAGRESTIA). 1748. Hind 5iii (of vii). Engraving and etching, 404 x 605 mm (15 7/8 x 23 13/16") plus full margins. Plate 7 from the Vedute di Roma (Views of Rome) series. A fine impression of the third of four Roman editions. In very good condition, except for pale discoloration in margins. In a decorative French mat. |
$3,000. | 18 | Engraving |
| Piranesi-2 | Giovanni Battista Piranesi (1720 - 1778) | INSCRIPTIONS OF FREEDMAN AND SLAVES. 1756. Ficacci 302. Engraving and etching. From Vol. III of Le Antichità Romanae. | $1,400. | 18 | Engraving and etching |
| Piranesi-3 | Giovanni Battista Piranesi (1720 - 1778) | ISCRIZIONI DE' LIBERTI E SERVI DELLA FAMIGLIA DI AUGUSTUS . . . (INSCRIPTIONS OF FREEDMEN AND SLAVES OF THE FAMILY OF AUGUSTUS . . . ALSO SARCOPHAGI AND SCULPTURAL RELIEF FRAGMENTS). 1756. Wilton-Ely 445, F. 312. Engraving and etching. A fine impression; vertical centerfold and scattered foxing in margins. Plate XXX from Vol. III of Le Antichità Romane. | $1,400. | 18 | Engraving and etching |
| Piranesi-4 | Giovanni Battista Piranesi (1720 - 1778) | ISCRIZIONI E FRAMMENTI DELLE CAMERE SEPOLCRALI DELLA FAMIGLIA ARRUNZIA EC. (INSCRIPTIONS AND FRAGMENTS FROM THE TOMB CHAMBERS OF THE ARRUNTII FAMILY, ETC.) Wilton-Ely 370, F. 235. Engraving. A fine, rich impression in very good condition, except for the usual vertical centerfold. Plate XIII from Vol. II of Le Antichità Romane. The figures are by J. Barbault. | $1,800. | 18 | Engraving |
| Piranesi-5 | Giovanni Battista Piranesi (1720 - 1778) | CAMERA SEPOLCRALE POCHI PASSI DISTANTE DA QUELLA GIA DESCRITTA DELLA FAMIGLIA DI L. ARRUNZIO NELLA STESSA VIGNA . . . (A TOMB CHAMBER IN THE VINEYARD NEAR THAT OF THE FAMILY OF L. ARRUNTIUS ALREADY DESCRIBED . . .). Wilton-Ely 373, F. 238. Engraving. A fine impression in very good condition, except for the usual vertical centerfold. Plate XVI from Vol. II of Le Antichità Romane. | $1,500. | 18 | Engraving |
| Piranesi-6 | Giovanni Battista Piranesi (1720 - 1778) | RACOLTA DI ALCUNI DISEGNI DEL BARBIERI DA CENTO DETTO IL GUERCINO. . . (COLLECTION OF SEVERAL DRAWINGS AFTER BARBIERI DA CENTO (KNOWN AS GUERCINO) ETCHED ON COPPER AND PRESENTED TO THOMAS JENKINS, PAINTER AND MEMBER OF THE ACADEMY OF ST. LUKE, OUT OF RESPECT AND FRIENDSHIP FROM HIS FELLOW MEMBER, THE ARCHITECT GIO. BATTISTA PIRANESI). Rome, 1764. Wilton-Ely 1015, F. 983. Engraving printed in black and sepia ink. A fine impression in very good condition, except for a repair to the lower left corner. | $3,000. | 18 | Engraving |
| Pitteri-1 | Marco Alvise Pitteri (1702 - 1786) | SELF-PORTRAIT, after G. B. Piazzetta, ca. 1750. Nagler 30, LeBlanc 106. Etching. Provenance: Th. Graf (Lugt 1092a). | $3,600. | 18 | Etching |
| Surugue-1 | Louis Surugue (1686 - 1762) | MAD. DE ** EN HABIT DE BAL (MADAME DE MOUCHY, DRESSED FOR A BALL), after the pastel by Charles Antoine Coyple (1694-1752). 1746. Firmin Didot 2302. Etching and engraving. A fine impression; pale scattered foxing at bottom, otherwise good condition. The identification of the sitter as Madame de Mouchy is now accfepted by most scholars. | $850. | 18 | Etching and engraving |
| Tardieu-2 | Pierre Francois Tardieu (1711 - 1774) | SHIPWRECK AT A STORMY COAST (possibly by Pierre Francois Tardieu, etching, and Marie Anne Rousselet, engraving). After Claude Joseph Vernet, ca. 1760. Published, and dedicated to the Marquis d'Argenson by Cochin. | $1,500. | 18 | Etching and engraving |
| Tiepolo-1 | Giovanni Battista Tiepolo (1696 - 1770) | THE HAPPY SATYR AND HIS FAMILY. ca. 1743 - 57. Rizzi 13i (of ii), before the number. Etching from the Scherzi di Fantasia. A fine, early impression with polishing scratches still visible in the sky at right. | $9,000. | 18 | Etching |
| Tiepolo-2 | Giovanni Battista Tiepolo (1696 - 1770) | FAMILY OF THE ORIENTAL PEASANT. ca. 1735. Rizzi 18i (of ii), before the number. Etching from the Scherzi di Fantasia. A very fine impression with a veil of plate tone, of this scarce etching, on a sheet of thick laid paper, the full sheet, with a few printer's creases in the margins. | $9,000. | 18 | Etching |
| Tiepolo-3 | Giovanni Battista Tiepolo (1696 - 1770) | THE HOLY FAMILY PASSING BY A PYRAMID. ca. 1753. Rizzi 86ii. Etching. Plate 20 from the series The Flight into Egypt. Tiny wormhole at upper left. | $3,500. | 18 | Etching. |
| Anon-1 | Rajput, Punjab Hills, Guler, c. 1820-30. | A NOBLE AND HIS BELOVED ENJOYING WINE. Gouache on paper. |
$4,800. | 19 | Gouache on paper |
| Besnard-1 | Albert Besnard (1849 - 1934) | LA LECTURE DANS L'ATELIER. 1887. D. 62ii. Etching. Signed in pencil. | $800. | 19 | Etching |
| Blake-1 | William Blake (1757 - 1827): | THE FIRE OF GOD IS FALLEN FROM HEAVEN. 1825. Binyon 108iii.Engraving on white wove paper. Plate 3 of Illustrations of the Book of Job. From the third printing, 1874. |
$2,000. | 19 | Engraving |
| Blake-2 | William Blake (1757 - 1827) | "WITH DREAMS UPON MY BED THOU SCAREST ME AND AFFRIGHTEST ME WITH VISIONS." 1825. Binyon 116v. Engraving on cream wove paper, from the third edition of 100 impressions, printed in 1874, from the series Illustrations to the Book of Job. Provenance: Maggs Bros., London and R. E. Lewis, Inc. | $2,000. | 19 | Engraving |
| Bonington-1 | Richard Parkes Bonington (1801/2-28) | RUE DU GROS HORLOGE, ÉVREUX. 1824. Curtis 19ii. Lithograph on mounted China paper. From Voyages Pittoresques et Romantiques dans L Ancienne France, Tome II, Normandie, Vol. II, 1825. |
$1,000. | 19 | Lithograph |
| Boulanger-1 | Louis Boulanger (1806 - 1867) | ATTAQUE DU LION. Beraldi 23. Lithograph on mounted China paper. A fine impression in good condition except for scattered foxing in margins. Plate 405 from Souvenirs d'Artistes. | $400. | 19 | Lithograph |
| Boulanger-2 | Louis Boulanger (1806 - 1867) | LION ATTACKED BY A TIGER . Beraldi 20, ca. 1830. "Lithographie en imitation de la manière noire." Lithograph. A fine, rich impression, but with some scatttered foxing in margins and toning on verso. | $400. | 19 | Lithograph |
Buhot-2 |
Félix Buhot (1847 - 1898) | UN DÉBARQUEMENT EN ANGLETERRE. 1879. Bourcard/Goodfriend 130v. Etching, drypoint, and aquatint. Signed in pencil, annotated épreuve d artiste and stamped with the artist's red owl stamp (Lugt 977). | $4,800. | 19 | Etching, drypoint, and aquatint |
| Chasseriau-1 | Chassériau, Théodore (1819 - 1856) | APOLLO AND DAPHNE. 1844. Fisher 4iii (of ix). Lithograph on mounted China paper, as published in L'Artiste. | $800. | 19 | Lithograph |
| Corot-1 | Jean Baptiste Camille Corot (1796 - 1875) | LE MOULIN DE CUINCY PRÈS DOUAI. 1871. Delteil 28ii. Lithograph on mounted China paper, printed in bistre ink. |
$9,500. | 19 | Etching |
| Cotman-1 | John Sell Cotman (1782 - 1842) | THE NORTH WEST TOWER, YARMOUTH. 1812. From the series Architectural Antiquities of Norfolk, first edition, 1818. Etching. | $600. | 19 | Etching |
| Cotman-2 | John Sell Cotman (1782 - 1842) | SAXON ARCHES IN THE TOWER OF CASTLE RISING CHURCH, NORFOLK. 1812. P. 131. plus full margins. A very good impression in good condition. From the series Architectural Antiquities of Norfolk, first edition, 1818. Etching. | $600. | 19 | Etching |
| Cotman-3 | John Sell Cotman (1782 - 1842) | INTERIOR OF SOUTH-RUNCTON CHURCH, dedicated to the Rev. Robert Forby. 1812. P. 138. From the series Architectural Antiquities of Norfolk, first edition, 1818. Etching. | $500. | 19 | Etching |
| Crome-2 | John Crome (1768 - 1821) | BIXLEY, NORFOLK (LANDSCAPE WITH FIELDS ON THE EDGE OF THE WOODS). ca. 1812. Theobald 33, only state. Soft ground etching on China paper mounted on wove, 165 x 240 mm (6.5 x 9.44") plus full margins. A fine impression, from the edition printed by the artist's widow, 1834, which was the first published edition of 60 impressions. The preparatory drawing is in the British Museum. | $450. | 19 | Etching |
| Daubigny-1 | Charles-Francois Daubigny (1817 - 1878) | LE BERGER ET LA BERGÈRE.1874. Melot 122v (of vii). Etching. As published in L'Art. | $1,800. | 19 | Etching |
| Daubigny-2 | Charles-Francois Daubigny (1817 - 1878) | POMMIERS À AUVERS (APPLE TREES IN AUVERS). 1877. Delteil 126iv. As published in l'Illustration nouvelle, 1877. | $800. | 19 | Etching |
| Daubigny-3 | Charles-Francois Daubigny (1817 - 1878) | LE BATEAU-ATELIER (SELF-PORTRAIT). 1861. Delteil 1 1ii. Etching. From the series Voyage en Bâteau (Traveling by Boat). | $800. | 19 | Etching |
| Daumier-1 | Honoré Daumier (1808 - 1879) | UNE VISITE À L'ATELIER. 1845. Delteil 1128ii. Lithograph sur blanc. Plate 41 from the series Les Beaux Jours de la Vie. | $800. | 19 | Lithograph |
| Daumier-2 | Honoré Daumier (1808 - 1879) | INGRATE PATRIE, TU N'AURAS PAS MON OEUVRE!... (UNGRATEFUL COUNTRY, YOU WILL NOT GET MY WORK!... ). 1840. Delteil 719iii (of vi). Lithograph sur blanc. Provenance: A. Bloch (Lugt 68a), known for his Daumier collection. |
$800. | 19 | Etching |
| Daumier-3 | Honoré Daumier (1808 - 1879) | MAGOT DE LA CHINE (TREASURE FROM CHINA). 1834. Delteil 83, only state. Lithograph. Plate 416 from La Caricature. This lithograph represents a statue from China that resembles Buddha but is actually alluding to Louis-Philippe. | $1,000. | 19 | Lithograph |
| Daumier-4 | Honoré Daumier (1808 - 1879) | REPOS DE LA FRANCE (FRANCE RESTING). 1834. D. 84, only state. Lithograph. Plate 417 from La Caricature. | $900. | 19 | Lithograph |
| Daumier-5 | Honoré Daumier (1808 - 1879) | A DA DA SUR MON BIDET . . . 1833. Delteil 179, only state -- "Rare." Lithograph from Charivari. The print shows Argout and his children. "A da-da sur mon bidet" is a very famous song for children. A child is sitting on d'Argout's nose. The children are an allusion to his playing at governing while he was Minister of Finance. | $1,200. | 19 | Lithograph |
| Delacroix-1 | Eugène Delacroix (1798 - 1863) | FAUST ET MÉPHISTOPHÉLÉS GALOPANT DANS LA NUIT DU SABBAT (FAUST AND MEPHISTOPHELES RIDE AT THE GALLOP ON THE NIGHT OF THE SABBATH). 1828. Delteil 73 ii (of iv). Lithograph. From the series Faust, tragédie de M. de Goethe. | $2,400. | 19 | Lithograph |
| Fantin-Latour-1 | Henri de Fantin-Latour (1836 - 1904) | GOTTERDAMMERUNG: SIEGFRIED ET LES FILLES DU RHIN (4e planche) (TWILIGHT OF THE GODS: SIEGFRIED AND THE DAUGHTERS OF THE RHINE). 1897. Hédiard 141ii. Lithograph. Signed H. Fantin and dated Nov. 87 in the stone. | $3,000. | 19 | Lithographs on mounted China paper |
| Gauguin-1 | Paul Gauguin (1848 - 1903) and Armand Seguin (1869 - 1903) | FEMME AUX FIGUES (WOMAN WITH FIGS). 1894. Guérin 88, Mongan-Kornfeld-Joachim 25ii (of iii). Etching on zinc with open bite work applied with a reed pen printed in black ink, after the plate has been cut down on the right side just in front of the small boat. Inscribed in top left corner Chez Seguin à St. Julien. | $5,000. | 19 | Etching and open bite |
| Gavarni-1 | Gavarni, Paul | JUDITH (L'ALBANAISE). A. & B. 91, first state before letters. Lithograph. | $800. | 19 | Lithograph |
Gavarni-2 |
Paul Gavarni (1804 - 1866) | MARCHAND DE CASSEROLES -PHYSIONOMIE ANGLAIS (THE POT AND PAN PEDDLAR - ENGLISH ASPECT). Armelhault & Bocher 2074. Lithograph on cream chine-appliqué, 255 x 198 mm plus full margins, with the address of Bertauts. A fine impression. Slight soiling and scattered foxing in outer margins. This image was made while Gavarni was in England. | $900. | 19 | Lithograph |
| Gavarni-3 | Paul Gavarni (1804 - 1866) | IL LUI SERA BEAUCOUP PARDONNÉ, PARCE QU'ELLE A BEAUCOUP DANSÉ (SHE MUST BE FORGIVEN, AS SHE DANCED SO MUCH). A. & B. 1670, only state. Lithograph on mounted China paper. With the blinbdstamp of the publisher, Les Artistes anciens et modernes. | $500. | 19 | Lithograph |
| Gericault-1 | Théodore Géricault (1791 - 1824) | CHEVAUX D'AUVERGNE. 1822. Delteil 48i (of iv) -- "Rare." Lithograph on mounted China paper. This rare first state impression is before the crack in the stone. From the series Études de Chevaux. Mount sheet foxed. Provenance: Prouté. | $1,200. | 19 | Lithograph |
| Gericault-2 | Théodore Géricault (1791 - 1824) | CHEVAL QUE L'ON FERRE. 1823. D. 72i (of iii) -- "Rare." Lithograph. This rare first state impression is before the addition of Villain's name. Foxing, mostly in outer margins. | $1,500. | 19 | Lithograph |
| Gericault-3 | Théodore Géricault (1791 - 1824) | HORSES GOING TO A FAIR. 1821. Delteil 32ii, Rouen 37ii, after the crack in the stone. Lithograph, 253 x 354 mm (9 15/16 x 13 15/16") plus margins. Very good impression. | Sold | 19 | Lithograph |
| Gros-1 | Baron Antoine-Jean Gros (1771 - 1835) | ARABE DU DÉSERT. 1817. B.N. Inv. IX, p. 422, Beraldi 2. Lithograph, 188 x 264 mm (7 3/8 x 10 3/8") plus margins. Fine impression. Provenance: Lang Verly (not in Lugt). | $2,500. | 19 | Lithograph |
| Guerard-1 | Henri-Charles Guérard (1846 - 1897) | ROCHERS À MONTE-CARLO. Before 1887. Bertin 203i (of ii). Etching and drypoint. Signed and dedicated to (Arsène) Alexandre in pencil, and stamped with the artist's monogram. |
$2,400. | 19 | Etching |
| Harpignies-1 | Henri-Joseph Harpignies (1819 - 1916) | PAYSAGE A BOUQUET D'ARBES (LANDSCAPE WITH A GROUP OF TREES). 1850. B. 24, proof, signed in pencil. Etching on mounted China paper. Provenance: Beurdeley. | $2,400. | 19 | Etching. |
| Harpignies-2 | Henri-Joseph Harpignies (1819 - 1916) | PAYSAGE AVEC UN HOMME SUR UN CHEMIN (LANDSCAPE WITH A MAN WALKING DOWN A COUNTRY ROAD). 1849. Etching on cream China paper mounted on white wove. Dedicated to Delgant and signed in pencil. | $800. | 19 | Etching |
| Havell-1 | William Havell (1782 - 1857) | LANDSCAPE WITH A SEATED SHEPHERD. 1804. Man 84. Pen lithograph, from Specimens of Polyautography, published by Philip André in 1803, republished in 1806 by Vollweiler. | $1,500. | 10 | Pen lithograph |
| Isabey-1 | Eugène-Gabriel Isabey (1803 - 1886) | RETOUR AU PORT (petite planche). 1833. Curtis 65i (of ii). Lith. on mounted China paper. From Six Marines. | $1,200. | 19 | Lithograph |
| Isabey-2 | Eugène-Gabriel Isabey (1803 - 1886) | FISHING BOAT AT SEA. ca. 1836. Curtis 7--only two other proofs known to C. Lithograph on mounted China paper. | $2,000. | 19 | Lithograph |
| Kolbe-1 | Carl Wilhelm Kolbe (1757 - 1835) | LA FONTAINE EN ARCADIE (FOUNTAIN IN ARCADIA), after a drawing by Salomon Gessner, ca. 1806. Etching, trimmed outside the plate mark. A fine impression; a few flaws in blank plate margins, including a tear into the left edge, well outside the image. | $800. | 19 | Etching |
| Lucas-1 | David Lucas (1802 - 1881) | HAMPSTEAD HEATH, after Constable. 1831. W. 22, S. 3, O.H.B. 1. Proof of a mezzotint from Vignette to Mr. Constable's English Landscape. A very fine impression, slight scattered foxing in margins. Provenance: Christopher Mendez, London. | $200. | 19 | Mezzotint |
| Meissonier-1 | Jean-Louis-Ernest Meissonier (1815 - 1891) | HUSSAR ON HORSEBACK. Pen and ink drawing of hussar on horseback, seen from the back. Signed with the initial M. Faded. | $1,200. | 19 | Pen and ink drawing |
| Meryon-1 | Charles Meryon (1821 - 1868) | LE PETIT PONT, PARIS. 1850. Delteil-Wright 24iv (of vii). Etching printed in brownish-black ink on thin laid paper, 262 x 190 mm plus margins. Very good impression. | $4,500. | 19 | Etching |
| Meryon-2 | Charles Meryon (1821 - 1868) | L'ARCHE DU PONT NOTRE-DAME, PARIS (AN ARCH OF THE NOTRE-DAME BRIDGE, PARIS). 1853. Delteil 25iv (of vii). Etching on green laid paper. | $6,000. | 19 | Etching |
| Meryon-3 | Charles Meryon (1821 - 1868) | LA TOUR DE L'HORLOGE, PARIS (THE CLOCK TOWER, PARIS). 1852. Delteil-Wright 28v (of x). Etching and drypoint printed in brownish-black ink on laid paper, 260 x 185 mm plus full margins. Provenance: DB (not in Lugt). | $5,500. | 19 | Etching |
| Millet-1 | Jean-Francois Millet (1814 - 1875) | LES BECHEURS (MEN DIGGING). Delteil 13iv. Etching. | $8,000. | 19 | Etching and aquatint |
| Millet-2 | Jean-François Millet (1814 - 1875) | LA BOUILLIE (MOTHER FEEDING HER CHILD). 1861. Delteil 17v. Etching on laid paper. A portrait of Mme. Heymann, Millet s daughter, and her baby. | $3,000. | 19 | Etching |
| Millet-3 | Jean-François Millet (1814 - 1875) | LES GLANEUSES (THE GLEANERS). 1855. Etching. A fine, warm impression, in very good condition, except for a small pale stain at the upper right corner. | $14,000. | 19 | Etching |
| Pissarro-1 | Camille Pissarro (1830 - 1903) | MARCHÉ À PONTOISE. 1895. Delteil 147iii. Lithograph on mounted China paper. A proof of the third state, unsigned. According to Delteil there were 25 impressions in the first and second states, and 26 in the third. |
$8,000. | 19 | Lithograph |
| Pissarro-2 | Camille Pissarro (1830 - 1903) | QUAI DES MENETRIERS A BRUGES. 1894. Delteil 108x. Etching. Stamped with the initials CP and numbered 4/19 . |
$2,800. | 19 | Etching |
| Pissarro-3 | Camille Pissarro (1830 - 1903) | PAYSANNE PORTANT DES SEAUX (PEASANT CARRYING BUCKETS). 1889. Delteil 85vii. Etching. With the stamped initials CP and numbered 22/25 . Scarce. |
$4,500. | 19 | Etching |
| Pissarro-4 | Camille Pissarro (1830 - 1903) | LA FERME À NOEL (OSNY). 1884. Delteil 51vi. Etching. Stamped and numbered 15/20. Scarce. |
$6,000. |
19 | Etching |
| Pissarro-5 | Camille Pissarro (1830 - 1903) | PAYSAGE À ROUEN: COTE SAINTE-CATHERINE. 1883. Delteil 55iv. Etching. Numbered 23 and titled in pencil. With a flowered initial stamp in blue. Scarce. |
$4,500. |
19 | Etching |
| Pissarro-6 | Camille Pissarro (1830 - 1903) | MARCHÉ AU LÉGUMES À PONTOISE (VEGETABLE MARKET AT POINTOISE). 1891. Delteil 97ii. Etching and aquatint. From the posthumous edition of 46 impressions, stamped with the artist's initials and numbered 3/46. There were nine signed and numbered impressions and later, 76 impressions printed on Japan paper and 500 on Dutch paper for Volume XVII of Peintre-Gravure Illustré. |
$7,500. |
19 | Etching and aquatint |
| Pissarro-7 | Camille Pissarro (1830 - 1903) | LA CHARRUE (THE PLOUGH). 1901. Color lithograph. Frontispiece for the anarchist publication, Les Temps nouveaux. | $7,500. | 19 | Lithograph |
| Pissarro-8 | Camille Pissarro (1830 - 1903) | PAYSANNE PORTANT DES SEAUX (PEASANT WOMAN CARRYING BUCKETS). 1889. Etching. From the posthumous edition, with the stamped initials and numbered "22/25." Scarce. | $3,000. | 19 | Etching |
| W. H. Pyne-1 | William Henry Pyne (1769 - 1843) | LANDSCAPE WITH A SHEPHERD AND HIS FLOCK. Watercolor on paper, mounted on a small album leaf. Signed in brown ink. Fresh, unfaded color. | $1,200. | 19 | Watercolor |
| G. Pyne-1 | George Pyne (1800/1 - 1884) | VIEW OF A BOATHOUSE AT THE SEASHORE. Watercolor on paper, mounted on a small album leaf. Signed in brown ink. Fresh, unfaded colors. | $950. | 19 | Watercolor |
| Redon-1 | Odilon Redon (1840 - 1916) | SIRÉNE TOURNÉE À GAUCHE. 1900. M. 188. Lithograph on chine volant. Plate III from the series Planches d Essai, designed and printed by the artist. | $2,000. | 19 | Lithograph |
| Redon-2 | Odilon Redon (1840 - 1916) | SUR LE FOND DE NOS NUITS DIEU DE SON DOIGT SAVANT DESSINE UN CAUCHEMAR MULTIFORME ET SANS TREVE. 1890. Mellerio 203. Evely's process on copper, made from Redon's original drawings. Plate 6 of the set of 9 illustrations to Charles Baudelaire's Les Fleurs du mal. From the edition of 43 impressions. | $2,250. | 19 | Evely's process on copper |
Redon-3 |
Odilon Redon (1840 - 1916) | SI PAR UNE NUIT LOURDE ET SOMBRE, UN BON CHRÉTIEN, PAR CHARITÉ, DERRIÈRE QUELQUE VIEUX DÉCOMBRE, ENTERRE VOTRE CORPS VOUTÉ 1890. Mellerio 201. Evely's process on copper, made from Redon's original drawings. Plate 4 of the set of 9 illustrations to Charles Baudelaire's Les Fleurs du mal. From the edition of 43 impressions. |
$2,250. | 19 | Evely's process on copper |
| Redon-4 | Odilon Redon (1840 - 1916) | L'INTELLIGENCE FUT À MOI! JE DEVINS LE BUDDHA. ("Intelligence Was Mine! I became Buddha.") 1896. Mellerio 145i (of ii). Lithograph. Plate XII from the series Tentation de Saint-Antoine, Troisième série, printed in an edition of 50 on mounted China paper. | $2,400. | 19 | Lithograph |
| Rousseau-1 | Théodore Rousseau (1812 - 1867) | CHENES DE ROCHE (OAK TREES IN THE ROCKS). 1861. Delteil 4ii (of iii). Etching printed in dark brown ink on laid Hallines paper. | $1,800. | 19 | Etching |
| Toulouse-Lautrec-1 | Henri de Toulouse-Lautrec (1864 - 1901) | LE BON GRAVEUR (ADOLPHE ALBERT). 1898. Lithograph, only state. Signed in pencil and with the artist's monogram stamp in red, and stamped with the number 81 from the edition of 100 impressions. A very good impression in good condition except for two vertical creases, visible mostly in the margins. | $4,500. | 19 | Lithograph |
| van Gogh-1 | Vincent van Gogh (1853 - 1890) | PORTRAIT OF DR. GACHET (L'HOMME À LA PIPE). 25 May 1890. de la Faille 1664; Hulsker 2028. Etching printed on thin Japanese paper. With the red cat stamp (now somewhat faded) of Dr. Gachet´s son, Paul (Lugt 2807c). | P.O.R. | 19 | Etching |
| Vernet-1 | Carle Vernet (1758 - 1836) | LA TEMPÊTE, after Joseph Vernet. Beraldi 484. Lithograph in two colors, gray-green and black. Scarce. | $1,400. | 19 | Lithograph |
| Vernet-2 | Carle Vernet (1758 - 1836) | MAMELUCK EN REPOS. Beraldi 66. Lithograph. | $1,800. | 19 | Lithograph |
| Vuillard-1 | Edouard Vuillard (1868 - 1940) | INTÉRIEUR À LA SUSPENSION. Roger-Marx 35iv. Color lithograph on loose China paper. From the series Paysages et Intérieurs, printed in an edition of 100 impressions by Auguste Clot, and published by Vollard.Very fine, unfaded impression. Trimmed within the subject a few milimeters. | $10,000. | 19 | Color lithograph |
| Vuillard-2 | Edouard Vuillard (1868 - 1940) | INTÉRIEUR AUX TENTURES ROSES III (INTERIOR WITH PINK WALL PAPER NO. III). Roger-Marx 38ii. Lithograph in five colors on China paper, the full sheet. An exceptionally fresh impression, from the edition of 100 printed by Clot and published by Vollard in the album Paysages et Intérieurs, 1899, in good condition. Rare. | $24,000. | 19 | Color lithograph |
| Whistler-1 | James McNeill Whistler (1834 - 1903) | THE TWO DOORWAYS. 1879-80. Kennedy 193iii (of vi), Lochnan 204. Etching and drypoint printed in brown ink with selective wiping. Signed in pencil with the butterfly, inscribed fine early proof and signed again with another butterfly on the verso. Plate 2 from the Twelve Etchings (First Venice Set). A fine impression. |
$52,000. | 19 | Etching |
Whistler-2 |
James McNeill Whistler (1834 - 1903) | THE RAG GATHERERS. 1858. Kennedy 23v. Etching. | $1,800. | 19 | Etching |
| Whistler-3 | James McNeill Whistler (1834 - 1903) | LANDSCAPE WITH THE HORSE. 1859. Kennedy 36ii. Etching. |
$7,500. | 19 | Etching |
| Whistler-4 | James McNeill Whistler (1834 - 1903) | BILLINGSGATE. 1859. Kennedy 47viii. Etching and drypoint. From the edition of 100 impressions published in 1878. | $3,600. | 19 | Etching |
| Whistler-5 | James McNeill Whistler (1834 - 1903) | FIRELIGHT - JOSEPH PENNELL. NO. 1. 1896. Way 104, only state. Lithograph. Published in Lithography and Lithographers. | $800. | 19 | Lithograph. |
| Cezanne-1 | Paul Cézanne (1839 - 1906) | SELF PORTRAIT AT THE EASEL. 1896-97. Leymarie 7. One of only four lithographs produced by Cézanne. His dealer, Ambroise Vollard, had it printed in about 1900 but it was not issued until 1914. This impression is from the second printing, of approximately 200, in gray ink (the first printing of about 300 was printed in black ink). | $4,800. | 19-20 | Lithograph |
| Archipenko-1 | Alexander Archipenko (1887 - 1964) | STILL LIFE WITH CLOCK. 1922. Lithograph. Fine impression, signed in pencil, fresh condition. | $4,500. | 20 | Lithograph |
| Arms-1 | John Taylor Arms (1887 - 1953) | SHADOWS OF VENICE, also called IL PONTE DI RIALTO, VENEZIA. 1930. Arms 231; Fletcher 229. Etching. Edition 100. Plate 16 from the Italian series. | $1,500. | 20 | Etching |
| Bellows-1 | George Bellows (1882 - 1925) | THE BLACK HAT (PORTRAIT OF EMMA). 1921. Morse 113. Lithograph on China paper. Signed in pencil by the artist, and also inscribed in pencil by the printer Bolton Brown imp. Provenance: Estate of Ralph Spencer, Allison Gallery (H. V. Allison and Company, 11 East 57th St., New York, NY) | $8,500. | 20 | Lithograph |
| Chagall-2 | Marc Chagall (1887 - 1985) | LES POISSONS ET LE BERGER QUI JOUE DE LA FLÛTE (THE FISH AND THE SHEPHERD WHO PLAYED THE FLUTE). The Artist and the Book, no. 52. Etching and aquatint. Signed in pencil and numbered 95 by the artist. Plate 95 from La Fontaine Fables, Eaux-Fortes Originales. Printed by Potin 1920-21, but not published until 1952 by Tériade. |
$3,000. | 20 | Etching and aquatint |
| Corinth-1 | Lovis Corinth (1858 - 1925) | PORTRAIT OF THOMAS, THE ARTIST'S SON. 1922. Müller 580. Drypoint. Signed in pencil. Provenance: The estate of Kay (Katherine) C. Corinth, Thomas's widow. | $650. | 20 | Drypoint |
| Corinth-2 | Corinth, Lovis (1858 - 1925) | TREES IN THE SUN. One of a series of six drypoints made in the Berlin Tiergarten in the winter of 1920-21. Like all of Corinth's landscapes, this would have been drawn directly from nature. See F. Carey & A. Griffiths: the Print in Germany 1880-1933: The Age of Expressionism, no. 62 (illustrated). | $2,000. | 20 | Drypoint |
| Derain-1 | André Derain (1880 - 1954) | PAYSAGE DANS LE GOUT ITALIEN. 1910-13. Adhemar 49. Drypoint on laid Arches paper, signed in pencil. From the edition of 50 impressions. | $7,500. | 20 | Drypoint |
| Hansen-1 | Armin Hansen (1886 - 1957) | VALLEY FARM. 1926. White 86 Etching and drypoint. Signed and titled in pencil. | $600. | 20 | Etching and drypoint |
| Hassam-1 | Childe Hassam (1859 - 1935) | THE BEACH, EASTHAMPTON. 1921. Cortissoz 165, only state. Etching, 225 x 350 mm (8 7/8 x 13 3/4 ) plus full margins. Signed in the plate Studio C. H. 1921 and annotated Inscribed to Sara Bard Field and signed with the cipher and the artist's name in pencil. A fine impression of this extremely rare print. Tack holes all around the margins, as usual. | $35,000. | 20 | Etching |
| Hassam-2 | Childe Hassam (1859 - 1935) | STORM KING. 1918. Griffith 45, only state. Lithotint. From the edition of 49 impressions. | $4,500. | 20 | Etching |
| Kandinsky-1 | Wassily Kandinsky (1866 - 1944) | ERSTE RADIERUNG FÜR DIE EDITIONS CAHIER D'ARTE. 1930. Roethel 194. Etching and drypoint, 219 x 147 mm (8 5/8 x 5 13/16") plus full margins, black ink on thick wove Arches paper, as published in Will Grohmann's book on Kandinsky, Paris, 1930. | $18,000. | 20 | Etching and drypoint |
| Kokoschka-1 | Oskar Kokoschka (1886 - 1980) | ADAM AND EVE. 1917. Arntz 63. Lithograph printed in brown ink. Signed and dedicated proof outside the published edition of 100 impressions. From the artist's play Hiob, a series of 14 lithographs. |
$1,800. | 20 | Lithograph |
| Kollwitz-1 | Käthe Kollwitz (1867 - 1945) | DER TRAUERNDE (THE MOURNER). 1919. Klipstein 137v a (of b); Knesebeck 145bis a (ofc). Etching and aquatint. Signed in pencil. A fine impression in very good condition. Memorial plate for Karl Liebknecht. | $7,500. | 20 | Etching and aquatint |
| Lindenmuth-1 | Tod Lindenmuth (1885 - 1976) | MORNING AT THE WEIR. ca. 1945. Woodcut printed in blue. Edition size unknown, probably less than 100. | $3,500. | 20 | Woodcut printed in blue |
| Marcoussis-1 | Louis Marcoussis (1878 - 1941) | LE COMPTOIR (THE BAR). Milet 35iv. Etching, drypoint and aquatint printed in dark brown ink on cream imitation Japan paper. Signed in pencil. A proof, without the blindstamp, apart from the edition of 125 published in Die Schaffenden in 1922. | $14,000. | 20 | Etching |
| Marcoussis-2 | Louis Marcoussis (1878 - 1941) | PLANCHES DE SALUT. 1931. Milet 66 - 78. Complete set of 10 etchings with engraving printed on mounted China paper, with frontispiece, head-piece and tail-piece (13 in all) in the original wrapper, as issued in 1931. Fine impressions in very good condition. | $8,500. | 20 | Etching |
| Marin-1 | John Marin (1870 - 1953) | DOWNTOWN, THE EL. 1921. Zigrosser 134. Drypoint. Signed in pencil. Edition: probably about 280 impressions. | $3,800. | 20 | Drypoint |
| Marin-2 | John Marin (1870 - 1953) | MEAUX CATHEDRAL. 1907. Zigrosser 75ii. Etching on Japan paper, 8 7/8 x 6 5/8 plus full margins. Signed, titled and numbered 25/26 in pencil. A fine impression with plate tone and careful wiping. A tiny flaw at left edge. | $3,000. | 20 | Etching |
| McBey-2 | James McBey (1883 - 1957) | ANTWERP. 1923. Hardie 214. Etching. Signed and numbered XXXII in black ink. Edition of 76 impressions. | $1,200. | 20 | Etching |
| McBey-3 | James McBey (1883 - 1957) | MARRAKESH. 1938. Etching. Signed and numbered in ink. A fine, clear impression printed with plate tone, in excellent condition. From the edition of 60 impressions. | $1,500. | 20 | Etching |
| Nolde-1 | Emil Nolde (1867 - 1956) | DOPPELBILDNESS (DOUBLE PORTRAIT). 1937. Scheifler and Mosel 193ii. Woodcut. Signed in pencil and numbered 97. From the edition of 150 impressions published by Schweizerische Graphische Gesellschaft. In excellent condition, printed in black ink on heavy ivory wove paper with full margins. | $24,000. | 20 | Etching |
| Picasso-1 | Pablo Picasso (1881 - 1973) | LE PICADOR II. 1961. Mourlot 350, Bloch 1017. Lithograph in 24 colors plus black. Published in A Los Toros avec Picasso. | $2,400. | 20 | Lithograph |
| Picasso-2 | Pablo Picasso (1881 - 1973) | MODÈLE ET GRANDE TÊTE SCULPTÉE (MODEL AND LARGE SCULPTED HEAD). 1933. Etching on Montval laid paper watermarked Picasso. Signed in pencil. A fine impression in very good condition. Plate 61 from the Vollard Suite. | $20,000. | 20 | Etching |
| Pollak-1 | Max Pollak (1888 - 1970) | CHURCH ON A SNOWY HILLSIDE, AUSTRIA. Drypoint on wove paper. Signed and annotated in pencil. Foxed in margins. | $400. | 20 | Drypoint |
| Pollak-2 | Max Pollak (1888 - 1970) | HOLLAND (DUTCH WOMEN IN TRADITIONAL DRESS). Etching with drypoint on thick wove paper. Signed and titled in pencil. |
$400. | 20 | Etching with drypoint |
| Renoir-1 | Pierre-Auguste Renoir (1841 - 1919) | BAIGNEUSE DEBOUT, A MI-JAMBES (BATHER STANDING, THREE-QUARTER VIEW). 1910. Stella 23, only state. Etching. | $2,800. | 20 | Etching |
| Rouault-1 | Georges Rouault (1871 - 1958) | JÉSUS SERA EN AGONIE JUSQU'A LA FIN DU MONDE. . . . 1922. Chapon-Rouault 88e. Aquatint, heliogravure, burnisher and drypoint, 583 x 412 mm (22 15/16 x 16 1/4 ) plus margins. From the Miserère, a series of 58 plates. A fine impression, but toned in margins and on verso. | $2,200. | 20 | Aquatint, heliogravure, burnisher and drypoint |
Siegmund-1 |
Rudolf Siegmund (Burgel, 1881 - ?) | PORTRAIT OF A WOMAN IN PROFILE. 1911. Woodcut in brown ink printed on thin Japan paper, tipped onto a sheet of dark brown paper, which is tipped onto a larger sheet of warm brown paper. This latter bears the signture and date in pencil. | 900. | 20 | Woodcut |
| Vlaminck-1 | Maurice de Vlaminck (1876 - 1958) | MAISONS À BOUGIVAL. 1913. Woodcut, signed and numbered "7" from the edition of 30. A fine impression, very slight discoloration around the image, otherwise excellent condition. | $5,000. | 20 | Woodcut |
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